Андрэй Горных

Кандидат философских наук

Профессор факультета социальных наук Европейского гуманитарного университета


Сфера научных интересов

Критическая теория, психоанализ, культурология, визуальные исследования


Адрес электронной почты: e-mail agornykh @ yahoo.com


Образование

1985-1992: студент, факультет Философии, Белорусский Государственный Университет (Минск, Беларусь)
1992-1995: аспирант, кафедра истории философии и логики, Белорусский Государственный Университет (Минск, Беларусь)
1999: д.ф.н. (Санкт-Петербургский Государственный Университет). Тема диссертации: «Проблема текста: от поэтики к антропологии».


Основные исследовательские программы

2007-2009: HESP Challenge Seminar Visual Studies of Immedia (tutor, co-director).
2003-2006: HESP Re-SET project Rethinking Cultural and Visual Studies” (tutor, co-director).
1999-2001: Research Support Scheme (OSI, Prague)
2000: History Art Department, University of Rome, Italy. (visiting researcher).
1998: Getty Summer Institute in Visual and Cultural Studies, Department of Art and Art History, University of Rochester, USA (participant).
1997: Summer School “Self-determination of Philosophy in Transforming Societies European Humanities University, Minsk, Belarus (coordinator, participant).
1996: Summer School “The problem of Method: From Positivism to Postmodernism”, Central European University, Budapest, Hungary (participant).
1994: Literature Program (Prof. F. Jameson), Duke University, Durham, USA (exchange visitor ACCELS/ACTR)

Приглашённый лектор:
Россия (Москва, Санкт-Петербург, Самара, Новосибирск), Украина, Румыния, Польша, Германия.

Творческая работа

2008: DVD-ROM “History, Society, Cinema: representtaion of WW II in the Soviet cinema” 2006: CD-ROM “Lines of difference in the history of art” 2005-2006: TV series “The invisible city” and “The culture of consumption” (15 short films for Weekly TV Broadcast) (coordinator, author, director)
Since 2004: Series of articles on contemporary post-Soviet culture and Belarussian society for the internet analytical recourse “Our Opinion” (www.nmn.by.org).
Since 2000: Curatorship of several exhibitions of Belarussian painters.
1999: OUN Program “Women’s Leadership”, author and director of four documentary films about gender aspects of women’s leadership in Belarus.


Основные публикации

“Linear Perspective as Historical Form” in New Literary Review (Moscow, 2009), forthcoming. Visual Anthropology: to see himself as Other in Anthropological Forum (Saint-Petersburg, 2008). P. 382-404.
“Montage as Historical Form” in Visual Anthropology: new looks at social reality (Saratov, 2007). P. 348-367.
Gornykh A., Ousmanova A. “Aesthetics of Internet and visual consumption. On the RuNet’s essence and specificity” in Control + Shift. Public and private usages of the Russian Internet.(Norderstedt, 2006) P. 198-214.
“From Poetics of Form to the Anthropology of Text” in Problemos # 66 (1) (Vilnus, 2004). P. 40-50. “Formalist strategy in XX-th century”. Minsk, Logvinov, 2002.
“Imaginary ‘Other’ of Jacques Lacan”, in Topos, (Minsk, 2001). # 4. Pp.41-49.
“Narrative and visual form: critical historicizing according to F.Jameson” in Topos, # 4 (Minsk, 2001). Pp.106-115.
Entries in Encyclopedia of Postmodernism (Moscow 2000). “Structuralism”, “Text”, “Deconstruction”, “Levi-Strauss C.”, “Lacan J.”, “Foucault M.”, “Derrida J.”, “Jameson F.”.
“Hitchcock-writer: Cinematographic Essence of Horror as High Modernist Experience” in Topos, # 3 (Minsk, 2000). P. 96-110.
“Anglo-American New Criticism: Anthropological Horizons of the Problem of Text”, in Metaphysical Inquires, no. 11 (Saint-Petersburg, 1999), pp. 108-130.

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